No Sleep ‘til Made in Japan

Merriam-Webster defines ‘completist’ as ‘one who wants to make something (as a collection) complete’. Hmmm. When I looked up the word, I was sure it would be listed as a medical term, because this affliction has been causing me great pain and suffering for most of my life.

My name is Bob Mayo, and I’m a Completist.

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Deep Purple’s landmark live lp ‘Made in Japan’ was originally released on double-vinyl in December of 1972 (April of ’73 in the US). I bought it sometime around 1979, and it’s been in my personal Top Ten ever since. It’s my sincere belief that this album contains rock music’s greatest recorded performances (my late friend Larry Boyd would disagree, and insist that the Who’s ‘Live at Leeds’ holds that title; I’ll grant it’s a strong contender). As an avid reader of liner notes and credits for all of my lps in those days, I knew that the album was culled from 3 shows: Osaka on August 15 & 16, and Tokyo on August 17, and that the best versions of the songs performed would have been chosen for the album. I never felt the need to hear the unused tracks, and never thought I would ever get the chance anyway. I was not yet fully in the grip of completism.

In 1982, I was stunned when I first saw an imported copy of a compilation album called ’24 Carat Purple’ from 1975 that contained a live version of ‘Black Night’, recorded in Tokyo on 17 August, 1972. So… ‘they’ decided to release another track from the MIJ gigs? Knowing it was out there, I had to have it. That may have been the moment where I was bitten by the completist bug. Sometime around 1991, I obtained a bootleg cassette of the entire August 16 Osaka show, which despite the terrible audio quality and increased pitch/speed due to multiple generations, at least revealed that the legendary ‘no overdubs’ claim is true (at least for the August 16 show). As the CD Age dawned, and I bought ‘MIJ’ on compact disc, I wondered, with the increased capacity of the format, why the cruel, unfeeling monsters at EMI hadn’t made it a 2-disc set and included some of the unreleased material. My completist tendencies were beginning to manifest themselves.

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While in Europe in 1993, I stumbled across a 3-disc Deep Purple set CD called ‘Live in Japan’. I was completely unaware of its existence (this was before the internet), and I snapped it up and clutched it to my chest lest another rabid MIJ fan try to pry it away from me. A feverish read of the booklet revealed that it contained almost all of the material recorded in Japan in 1972. Almost. Sure, it presented more than what was included on the original ‘MIJ’, a lot more, actually; but it still wasn’t everything. Each CD in the set contained a different show, and so 5 recordings originally released on ‘MIJ’ were included here, in an attempt to reassemble the running order of each gig. Still, 4 recordings (mainly the encores) could not be included due to time constraints. So while the set contained a total of 16 previously unheard recordings from DP’s August ’72 tour, we also get 5 ‘MIJ’ versions we’ve all known for decades, occupying the space that could have been given to the final 4 unreleased recordings. Maddening. I was at this point, a total completist. Or complete totalist. Or raving lunatic.

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In 1998, the depraved, sadistic subhuman slime at EMI Europe announced the release of a 25th anniversary edition of ‘Made in Japan’, newly remastered and featuring a second disc of…. The Missing Encores! YES!! FINALY! Hurrah! Wait, wha—?

Deep breaths…

Of the 6 encores performed over 3 nights, 2 of them were released on the 3-cd Live In Japan, and 3 were included on the remastered ‘MIJ’… leaving only ONE SONG from the three 1972 Japanese Purple gigs as yet unreleased. It was a version of ‘Black Nigh’t from the August 16 Osaka show. The wicked, degenerate cretins who control Deep Purple’s catalog were clearly plotting to see how much torture I could take before my head exploded. Soon after getting the CD in the mail, I also noticed that this 25th anniversary edition has most of Ian Gillan’s stage banter edited out. Happy Anniversary! The classic line “Can we have everything louder than everything else?” was GONE. To save 23 seconds of running time. Who was making these decisions? Names! I needed NAMES!!

I eventually remembered that I had a cassette of the August 16 Osaka show, which contained the missing ‘Black Night’. It was 1998, and not everyone had the desktop equivalent of a recording studio on their laptop just yet, so I took the cassette to a local recording studio, where the engineer transferred the song onto 4” tape, slowed the tape speed to correct the speed and pitch, and used some of his other magic electric doohickeys to clarify and otherwise improve the sound quality. He burned the resulting track onto a CD. THERE!! I DID IT! YOU BASTARDS!!

With the advent of iTunes, I was finally able to group together all of the related tracks from several disparate sources, and recreate the Japanese Purple gigs in their correct running order. Yes, one of the encores still kinda sounded like shit, but I had come as close as humanly possible to recreating the audio from those 3 nights.

And then…

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‘Listen, Learn, Read On’, a 6-cd box set, was released in 2002. It was and remains the biggest and most comprehensive set of Deep Purple material ever released at 74 tracks total, 24 of them previously unreleased at that point. One of them was the Holy Grail: ‘Black Night’, August 16, Osaka. In all its pristine, mixed and mastered glory. I replaced my cleaned-up bootleg version of ‘Black Night’ with this version. The tremors stopped; I started sleeping through the night again.

Soon after spending about one hundred bucks on the 6-disc set, it dawned on me why the depraved inbred reprobates at EMI had withheld that one final song for so long. Holding it back for the ‘L,L,RO’ box set was added incentive for folks to shell out big money for a massive 6-disc set that was 64% material that potential buyers likely already owned. But what the wicked, soulless cretins in charge didn’t understand was that we Purple fans (completists) would have had no issue spending 100 bucks on 24 unreleased Deep Purple tracks, Holy Grail of not. I’ve spent more on less.

You still can’t buy a complete version of the audio from Deep Purple’s three nights in Japan in August of 1972. You’d have to buy the Made in Japan 25th Anniversary Remaster, the 3-CD Live In Japan set, and the 6-CD Listen Learn, Read On box (ooooh, sorry; it’s now out-of-print). iTunes is currently selling a woefully incomplete version of ‘Live in Japan’, with only 14 tracks and absolutely zilch in the way of liner notes, credits or recording info. It’s listed as a ‘partial album’. WTF good is that? There has been internet chatter about the corrupt, villainous perverts at Warner Bros. releasing a 40th Anniversary set, but as we head into Autumn of 2013 with nothing confirmed, this looks doubtful.

Jon Lord R.I.P.

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