Danny Joe Brown left Molly Hatchet twice. Both times were due to health issues. His first exit took place in 1979, but he returned just a few years after. During his second stint with the band, Brown would watch every other member of the original line-up exit, and then some… Everyone who had written and played on hit albums like the self-titled debut, 2nd LP ‘Flirtin’ With Disaster’ and 3rd successful record in a row, ‘Beatin’ the Odds’, would leave the band during Brown’s 2nd stint as lead vocalist. Brown was indeed the last man standing. But when Brown suffered a stroke in ’96, his permanent exit marked the end of Molly Hatchet. Forever.
No it didn’t. The remaining members of ‘Molly Hatchet’ replaced Brown with Phil McCormack, and continued on, with ZERO original members; NONE of the musicians who wrote or recorded the material that made the band’s name remained. This was a band made up of replacements of replacements. This bogus Molly Hatchet toured relentlessly, and released four albums under the ‘Molly Hatchet’ banner between 1996 and 2005, Including a ‘Best Of/Re-recorded’, which amounts to a Molly Hatchet album of Molly Hatchet covers. But… seriously, was this band really Molly Hatchet?
Legally, yes. Hatchet guitarist Bobby Ingram, who joined the band in 1986 replacing original guitarist Dave Hlubeck, purchased temporary rights to the Molly Hatchet trademark from the band’s manager after Brown’s departure, so this bunch of stunt-doubles was now legally doing business as ‘Molly Hatchet’. But ‘legally’ only means no one could dispute their use of the trademark; that it’s legal doesn’t mean it’s right.
During that almost ten year period between ’96 and ’05 (when Hlubeck returned to the fold on a ‘limited basis’), ‘Molly Hatchet’ operated in a very strange area; a twilight zone of quasi-legitimacy somewhere between ‘Multi-Platinum Recording Artists Molly Hatchet’ and every cover band playing ‘Flirtin’ With Disaster’ at the bar down the street. Legal ownership of a band’s name alone doesn’t make the band ‘legit’. But does a certain percentage of ‘original members’ guarantee ‘legitimacy’? What makes Molly Hatchet Molly Hatchet?
Foreigner founder Mick Jones has had serious health issues of his own to deal with over the last decade, and since 2011 has replaced himself with guitarist Bruce Watson on occasions where he was unable to travel, play or otherwise fulfill commitments to live work. Therefore, on some nights, you might catch Foreigner, helmed by sole remaining original member Mick Jones; on others you may get ‘Foreigner’, a band consisting entirely of replacement musicians, none of whom performed on the original versions of any of songs in the band’s live repertoire.
On the nights when Jones is too ill to perform, is it still Foreigner? Or is it a Foreigner tribute band? No matter how remarkably life-like this band sounds, can they really present themselves to paying customers as Foreigner? No less than THIRTY FOUR musicians are listed on the band’s Wikipedia page as being either ‘Former Members’ or ‘Touring Musicians’. Bruce Watson is listed under ‘Current Members’, but the entry parenthetically states ‘(filling in for Jones)’. So he’s an ‘official member’ of Foreigner, but only when Jones isn’t playing. Hey, it’s a living.
Mick Jones is now 74 years old; what happens when he decides to call it a day? Will Foreigner continue without him, as Molly Hatchet did? Jones is perfectly happy to let Foreigner operate as Foreigner without him performing with the group, so why not just ‘keep the band alive’ and let them continue working the nostalgia circuit without him? Jones would presumably continue to make money from the continued band activity, so it would be a win for everyone. Gene & Paul: Are you listening? Foreigner are piloting your retirement plan.
But there’s another way to ‘keep the band alive’ (which really means ‘keep the money flowing’). Last year, southern rock firebrands Blackfoot released their first album in 20 years, entitled “Southern Native”. Or… did they? There are no founding members of the band in its current lineup, in fact no one in this incarnation of Blackfoot was even born when the original Blackfoot formed, or when any of their charting records were released. These dudes were in diapers when the Ken Hensley era began, which is basically when Blackfoot ended. The record itself contains standard-issue hard rock record, nothing special, kinda bland, and most notably, not very ‘southern’-sounding. But… the lead singer has a Mohawk! Sorry. This sure ain’t Blackfoot.
Bottom line: This band is only Blackfoot because Rick Medlocke says it is. The ‘foot mainstay ‘put the band together’, although more likely he simply found a young, capable hard rock band, and signed them to a production deal, with the stipulation that they change their name to Blackfoot. The band’s ‘official’ website states that Medlocke joins the band onstage for ‘certain concerts’. Whoop de-do. C’mon, Ricky, give us a break. Shorty Medlocke must be spinning in his grave.
What’s the difference between the 2017 version of Foreigner and Foreigner tribute band Cold As Ice? Not much… other than the ticket prices, that is. Foreigner’s 2017 US tour is asking $75-$200 a head, and it’s a crap shoot as to whether Jones will even appear. You can catch ‘Cold As Ice’ for six bucks at the door… and who gives a shit who’s on stage as long as they sound decent?
It’s all about audience expectations; if everyone who buys a ticket is aware that they are shelling out their dough for a band consisting of nothing more than hired hands and sidemen, then fair enough. Enjoy the show. If not, that’s something close to fraud, is it not? Shouldn’t there be some required standard of disclosure? An asterisk next to the band’s logo in every concert listing, poster or banner ad denoting the ‘authenticity level’ of the act, like *100% Certified Hack-Free or *Contains 20% Ratt.
Do your research! Your favorite band might be just a brand. Sometimes the jukebox in the corner offers you more authenticity than the band on the stage… Buyer beware. As P.T Barnum kinda sorta said: There’s a rocker born every minute